Curated exceptional furniture and home accessories from all over Germany are experiencing a renaissance in Hamburg.
Service:
Visual Identity
Art Direction
Web Design
Client:
Ain't No Trash
Hamburg, Germany
Year:
2020
Website:
Images:
Lina Mackeprang
Logo developement
The logo graphic integrates the materiality and at the same time serves as a distinction of the word "trash", which is contrasted by the chrome look. This makes the logo loud but not choppy. To balance the chrome font, the letters of "AIN'T NO" stand close together and form a block that keeps the balance within the logo. To break up the static of the square format, the logo is slightly tilted, creating a more dynamic appearance.
Website
A one-pager as a digital business card. The cover consists of a 3D animation that is interacting in a 360° rotation by the user's scrolling, mirroring the interior of the studio in Hamburg within the chrome texture of the logo. In the following section, an integrated Instagram live feed is located, which always displays the six most recent posts in a grid. In this way, the microsite does justice to the constantly changing concept of the company itself, by being constantly filled with new furniture in the digital space.
Communication
The brand is characterised by two design features in particular: The chrome texture and the white space that offers the products a stage. Text and form can be varied, as the clear grid offers support and at the same time space for the purist product photographs.
Service:
Visual Identity
Art Direction
Web Design
Client:
Ain't No Trash
Hamburg, Germany
Year:
2020
Website:
aintnotrash.com
Images:
Lina Mackeprang
Logo developement
The logo graphic integrates the materiality and at the same time serves as a distinction of the word "trash", which is contrasted by the chrome look. This makes the logo loud but not choppy. To balance the chrome font, the letters of "AIN'T NO" stand close together and form a block that keeps the balance within the logo. To break up the static of the square format, the logo is slightly tilted, creating a more dynamic appearance.
Website
A one-pager as a digital business card. The cover consists of a 3D animation that is interacting in a 360° rotation by the user's scrolling, mirroring the interior of the studio in Hamburg within the chrome texture of the logo. In the following section, an integrated Instagram live feed is located, which always displays the six most recent posts in a grid. In this way, the microsite does justice to the constantly changing concept of the company itself, by being constantly filled with new furniture in the digital space.
Communication
The brand is characterised by two design features in particular: The chrome texture and the white space that offers the products a stage. Text and form can be varied, as the clear grid offers support and at the same time space for the purist product photographs.
Portfolio 2024
© Tim Schnettker
Studio Schnettker
© Tim Schnettker
E: studio@tim-schnettker.de
IG: @timschnettker
Linkedin: Tim Schnettker
I studied Integrated Design in Cologne and Barcelona, with a strong focus on visual communication through analog and digital media. During my exchange semester in Barcelona, I created my first interactive play with the theatre collective Fura del Baus and explored graphic and editorial design through an internship at the design studio tinograss.
My background in visual communication showed me the power of art and design and the fruitful exchange between these disciplines. However, I wanted more than just to find the medium to convey a message; I wanted to shape the message and the process itself. This led me to co-design and the question of how to have a strategic impact while integrating the people we design for directly into the process. At the end of my studies, I therefore explored the aesthetic experience of service design processes using choreographic techniques. A central medium for applying such techniques is workshops and exchange formats in which participatory and cooperative solutions are sought. The resulting Human-Centered Design has become a design ethos for me since then.
After my studies, I worked as a video artist within the theatre collective Studio Trafique and at Theater Bonn, operating at the intersection of analog and digital design and performance. From late 2021 to 2023, I decided to shift carrer paths and became an art director for the design agency VUCX in Cologne, developing brands and unique brand experiences for clients in various industries. Since late 2023, I have been challenging myself further by starting a two-year master’s program in Service Design as an Erasmus Mundus scholarship holder in Latvia, Finnland ans Estonia.
E: studio@tim-schnettker.de
IG: @timschnettker
Linkedin: Tim Schnettker
I studied Integrated Design in Cologne and Barcelona, with a strong focus on visual communication through analog and digital media. During my exchange semester in Barcelona, I created my first interactive play with the theatre collective Fura del Baus and explored graphic and editorial design through an internship at the design studio tinograss.
My background in visual communication showed me the power of art and design and the fruitful exchange between these disciplines. However, I wanted more than just to find the medium to convey a message; I wanted to shape the message and the process itself. This led me to co-design and the question of how to have a strategic impact while integrating the people we design for directly into the process. At the end of my studies, I therefore explored the aesthetic experience of service design processes using choreographic techniques. A central medium for applying such techniques is workshops and exchange formats in which participatory and cooperative solutions are sought. The resulting Human-Centered Design has become a design ethos for me since then.
After my studies, I worked as a video artist within the theatre collective Studio Trafique and at Theater Bonn, operating at the intersection of analog and digital design and performance. From late 2021 to 2023, I decided to shift carrer paths and became an art director for the design agency VUCX in Cologne, developing brands and unique brand experiences for clients in various industries. Since late 2023, I have been challenging myself further by starting a two-year master’s program in Service Design as an Erasmus Mundus scholarship holder in Latvia, Finnland ans Estonia.